Set in post-World War II Vienna, "The Third Man" is the result of Greene's collaboration with Carol Reed on the classic movie (which recently celebrated a 50th anniversary). The forceful narrative depends heavily on the master storyteller's penetrating portrait of Vienna in these years of decay and corruption. The Fallen Idol is a separate tale of intrigue set in Britain.

WITH AN INTRODUCTION BY IAN THOMPSON The Third Man is Graham Greene's brilliant recreation of post-war Vienna, a ‘smashed dreary city’ occupied by the four Allied powers. Rollo Martins, a second-rate novelist, arrives penniless to visit his friend and hero, Harry Lime. But Harry has died in suspicious circumstances, and the police are closing in on his associates… The ...(展开全部)

Set in post-World War II Vienna, "The Third Man" is the result of Greene's collaboration with Carol Reed on the classic movie (which recently celebrated a 50th anniversary). The forceful narrative depends heavily on the master storyteller's penetrating portrait of Vienna in these years of decay and corruption. The Fallen Idol is a separate tale of intrigue set in Britain.

WITH AN INTRODUCTION BY IAN THOMPSON The Third Man is Graham Greene's brilliant recreation of post-war Vienna, a ‘smashed dreary city’ occupied by the four Allied powers. Rollo Martins, a second-rate novelist, arrives penniless to visit his friend and hero, Harry Lime. But Harry has died in suspicious circumstances, and the police are closing in on his associates… The ...(展开全部)

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Akari is a high school student obsessed with “oshi” Masaki Ueno, a member of the popular J-Pop group Maza Maza. She writes a blog devoted to him, and spends hours addictively scrolling for information about him and his life. Desperate to analyze and understand him, Akari hopes to eventually see the world through his eyes. It is a devotion that borders on the religious: Masaki i...(展开全部)

Marked sharply by its time and place (Paris in the 1970s), this early theological text by Jean-Luc Marion nevertheless maintains a strikingly deep resonance with his most recent, groundbreaking, and ever more widely discussed phenomenology. And while Marion will want to insist on a clear distinction between the theological and phenomenological projects, to read each in light of...(展开全部)

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